diff --git a/_chapters/000-front/010-title.md b/_chapters/000-front/010-title.md
index 8a539dc8..e6f584de 100644
--- a/_chapters/000-front/010-title.md
+++ b/_chapters/000-front/010-title.md
@@ -7,6 +7,8 @@ logo_top: false
 logo_bottom: false
 ---
 
+<img src="{{site.baseurl}}/assets/logos/logo-wide.svg" style="width:100%; margin-left: -3px;">
+
 ## Summary
 
 Practical music theory for intermediate guitarists.
@@ -18,7 +20,7 @@ Start reading at the {% include chapter-link.html slug="toc" %}.
 ## Version
 
 This edition: **{{ site.latest_edition }}**  
-plus revisions as of **{{ "now" | date: "%B %e, %Y" }}**.
+<span class="printable-hidden">plus revisions as of **{{ "now" | date: "%B %e, %Y" }}**.</span>
 
 The latest version of this book can always be found at
 [fretboardfoundation.com/book.html](https://fretboardfoundation.com/book.html)
@@ -28,7 +30,7 @@ All editions are available at
 
 ## Copyright
 
-Copyright &copy; 2022-2023 by Jason Grimes.
+Copyright &copy; 2022-{{ "now" | date: "%Y" }} by Jason Grimes.
 
 #####  Credits
 
@@ -37,5 +39,3 @@ by ["Just plain Bill"](https://en.m.wikipedia.org/wiki/User:Just_plain_Bill)
 is licensed under [CC BY-SA 3.0](https://creativecommons.org/licenses/by-sa/3.0/).
 Used in {% include chapter-link.html slug="keys" anchor="the-circle-of-fifths" %}.
 
-- **["Infobox icon"](https://commons.wikimedia.org/wiki/File:Infobox_info_icon.svg)**
-by "User:Kontos" via Wikimedia Commons is licensed under [CC BY-SA 4.0](https://creativecommons.org/licenses/by-sa/4.0).
diff --git a/_chapters/000-front/040-introduction.md b/_chapters/000-front/040-introduction.md
index 7434e158..c1d6a10f 100644
--- a/_chapters/000-front/040-introduction.md
+++ b/_chapters/000-front/040-introduction.md
@@ -249,3 +249,12 @@ the book is designed to be used as a quick and fairly comprehensive reference,
 in order to support your own guitar studies.
 
 Any topic or diagram should be easy to find within a few "taps" through the tables of contents.
+
+## Additional resources
+
+In addition to this book, supplementary tools and materials are available on the Fretboard Foundation website.
+
+For example, there are software applications that provide interactive, playable, 
+editable, and audible fretboard diagrams for exploring the ideas in this book in an experiential way.
+
+See [fretboardfoundation.com/tools](https://fretboardfoundation.com/tools.html) for details.
\ No newline at end of file
diff --git a/_chapters/010-playing-by-ear/030-single-position.md b/_chapters/010-playing-by-ear/030-single-position.md
index b6eddceb..318d1962 100644
--- a/_chapters/010-playing-by-ear/030-single-position.md
+++ b/_chapters/010-playing-by-ear/030-single-position.md
@@ -27,6 +27,9 @@ Every pair of neighboring strings has the same relationship between their notes,
 While all other strings are tuned the same distance apart,
 there is a slightly smaller difference in pitch between strings 2 and 3.
 
+**Identical notes on neighoring strings**
+{:.no-page-break-after}
+
 {% include figure.html
     caption="Identical notes on all neighboring strings except 2-3, i.e. tuned a P4 apart."
     url="/assets/figures/playing-by-ear/neighboring-strings-P4.svg"
@@ -51,6 +54,9 @@ There are many of these three-note triad chords around the fretboard.
 Listen and explore to find them.
 The following figures show some examples.
 
+**Common triad chord shapes**
+{:.no-page-break-after}
+
 {% include figure.html
     caption="Major triad with 3rd-string root on upper-middle strings."
     url="/assets/figures/playing-by-ear/triad-A.svg"
diff --git a/_chapters/020-chords/010-harmony-intro.md b/_chapters/020-chords/010-harmony-intro.md
index 46609dfd..a167dc68 100644
--- a/_chapters/020-chords/010-harmony-intro.md
+++ b/_chapters/020-chords/010-harmony-intro.md
@@ -61,7 +61,7 @@ the hero goes on an adventure,
 is victorious in a decisive crisis, 
 and comes home transformed.
 
-## Intervals: the building blocks
+## Intervals: the building blocks 
 
 Intervals are the basic building blocks of harmony.
 
@@ -145,6 +145,9 @@ See ["tone" in the glossary](glossary.html#tone) for details.
 This table shows the names of intervals based on how many semitones they contain,
 i.e. how many frets they span on one string.
 
+**Intervals on the fretboard**
+{:.no-page-break-after}
+
 <div class="table-wrapper" markdown="block">
 
 | Semi-tones (frets) | Interval   | Note from C | Short scale degree name | Scale degree name | Frequency ratio (dissonance) |
diff --git a/_chapters/020-chords/020-caged.md b/_chapters/020-chords/020-caged.md
index 7d2de59f..3a17843b 100644
--- a/_chapters/020-chords/020-caged.md
+++ b/_chapters/020-chords/020-caged.md
@@ -177,6 +177,7 @@ use it to play the secondary chords in the key of C major
 up and down the fretboard.
 
 **Practice the C minor shape with secondary chords in the key of C major:**
+{:.page-break-before}
 
 | 5th string root on fret | C Shape  | Chord |
 |:-----------------------:|:--------:|:-----:|
@@ -258,6 +259,7 @@ See {% include chapter-link.html slug="seventh-chords" %}
 for a detailed discussion of seventh chords.
 
 ## A shapes
+{:.page-break-before}
 
 ### A major shape
 
@@ -362,6 +364,7 @@ The treble triads can also be played by themselves:
 `xxx321` and `xx231x`.
 
 **Practice the A minor shape with secondary chords in the key of C major:**
+{:.page-break-before}
 
 | 5th string root on fret | A shape  | Chord |
 |:-----------------------:|:--------:|:-----:|
@@ -423,6 +426,7 @@ See {% include chapter-link.html slug="seventh-chords" %}
 for a detailed discussion of seventh chords.
 
 ## G shapes
+{:.page-break-before}
 
 ### G major shape
 
@@ -509,6 +513,7 @@ The G diminished shape can be gripped as
 `1xx324` or `2xx314`.
 
 **Practice G shapes with harmonized triads in the key of C major:**
+{:.page-break-before}
 
 | 6th string root on fret | G shape  | Chord |
 |:-----------------------:|:--------:|:-----:|
@@ -550,6 +555,7 @@ See {% include chapter-link.html slug="seventh-chords" %}
 for a detailed discussion of seventh chords.
 
 ## E shapes
+{:.page-break-before}
 
 ### E major shape
 
@@ -591,6 +597,7 @@ muting the 2nd string,
 as `1x43x2`.
 
 **Practice the E shape with primary chords in the key of C major:**
+{:.page-break-before}
 
 | 6th string root on fret | E shape  | Chord |
 |:-----------------------:|:--------:|:-----:|
@@ -687,6 +694,7 @@ See {% include chapter-link.html slug="seventh-chords" %}
 for a detailed discussion of seventh chords.
 
 ## D shapes
+{:.page-break-before}
 
 ### D major shape
 
@@ -737,6 +745,7 @@ especially when leading to another chord with a nearby bass note,
 as when playing a D shape V chord leading to a G shape I chord.
 
 **Practice the D shape with primary chords in the key of C major:**
+{:.page-break-before}
 
 | 4th string root on fret | D shape  | Chord |
 |:-----------------------:|:--------:|:-----:|
@@ -766,6 +775,7 @@ typically gripped as `xx1342`.
 | 2                       | minor    | Em    |
 
 ### D diminished shape
+{:.page-break-before}
 
 {% include figure.html
     caption="D diminished shape."
@@ -857,6 +867,7 @@ The treble triad with its root on the first string is derived from the E CAGED s
 %}
 
 ### Second-string root
+{:.page-break-before}
 
 The treble triad with its root on the second string is derived from the C and D CAGED shapes.
 
@@ -902,6 +913,7 @@ The treble triad with its root on the third string is derived from the A and G C
 
 
 ## Major chords on the entire fretboard
+{:.page-break-before}
 
 The following figures illustrate how CAGED shapes fit together on the fretboard,
 and point the way toward playing all the chords in a given key in one position
@@ -938,6 +950,7 @@ see {% include chapter-link.html slug="major-harmony" %}.
 %}
 
 ## Ergonomics
+{:.page-break-before}
 
 Some of the CAGED chord shapes are awkward or even impossible to play completely.
 Some CAGED grips,
diff --git a/_chapters/020-chords/040-major-harmony.md b/_chapters/020-chords/040-major-harmony.md
index bb50a76b..823f28f6 100644
--- a/_chapters/020-chords/040-major-harmony.md
+++ b/_chapters/020-chords/040-major-harmony.md
@@ -68,54 +68,55 @@ resulting in five different positions.
 ## C shape I chord position
 
 {% include figure.html
-    caption="I chord in C shape I chord position."
+    caption="I chord in C shape I position."
     url="/assets/figures/major-harmony/C-1.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="ii chord in C shape I chord position."
+    caption="ii chord in C shape I position."
     url="/assets/figures/major-harmony/C-2.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="iii chord in C shape I chord position."
+    caption="iii chord in C shape I position."
     url="/assets/figures/major-harmony/C-3.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="IV chord in C shape I chord position."
+    caption="IV chord in C shape I position."
     url="/assets/figures/major-harmony/C-4.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V chord in C shape I chord position."
+    caption="V chord in C shape I position."
     url="/assets/figures/major-harmony/C-5.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="vi chord in C shape I chord position."
+    caption="vi chord in C shape I position."
     url="/assets/figures/major-harmony/C-6.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="vii chord in C shape I chord position."
+    caption="vii chord in C shape I position."
     url="/assets/figures/major-harmony/C-7.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V7 chord in C shape I chord position."
+    caption="V7 chord in C shape I position."
     url="/assets/figures/major-harmony/C-5-dom7.svg" 
     class="chord row" 
 %}
 
 ## Practicing these chords
+{:.page-break-before}
 
 ### Ascending and descending
 
@@ -250,209 +251,213 @@ or the 7&#x302; (for a richer diminished triad) as desired.
 The diminished vii is rather practical after all. 
 
 ## A shape I chord position
+{:.page-break-before}
 
 {% include figure.html
-    caption="I chord in A shape I chord position."
+    caption="I chord in A shape I position."
     url="/assets/figures/major-harmony/A-1.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="ii chord in A shape I chord position."
+    caption="ii chord in A shape I position."
     url="/assets/figures/major-harmony/A-2.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="iii chord in A shape I chord position."
+    caption="iii chord in A shape I position."
     url="/assets/figures/major-harmony/A-3.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="IV chord in A shape I chord position."
+    caption="IV chord in A shape I position."
     url="/assets/figures/major-harmony/A-4.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V chord in A shape I chord position."
+    caption="V chord in A shape I position."
     url="/assets/figures/major-harmony/A-5.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="vi chord in A shape I chord position."
+    caption="vi chord in A shape I position."
     url="/assets/figures/major-harmony/A-6.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="vii chord in A shape I chord position."
+    caption="vii chord in A shape I position."
     url="/assets/figures/major-harmony/A-7.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V7 chord in A shape I chord position."
+    caption="V7 chord in A shape I position."
     url="/assets/figures/major-harmony/A-5-dom7.svg" 
     class="chord row" 
 %}
 
 
 ## G shape I chord position
+{:.page-break-before}
 
 {% include figure.html
-    caption="I chord in G shape I chord position."
+    caption="I chord in G shape I position."
     url="/assets/figures/major-harmony/G-1.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="ii chord in G shape I chord position."
+    caption="ii chord in G shape I position."
     url="/assets/figures/major-harmony/G-2.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="iii chord in G shape I chord position."
+    caption="iii chord in G shape I position."
     url="/assets/figures/major-harmony/G-3.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="IV chord in G shape I chord position."
+    caption="IV chord in G shape I position."
     url="/assets/figures/major-harmony/G-4.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V chord in G shape I chord position."
+    caption="V chord in G shape I position."
     url="/assets/figures/major-harmony/G-5.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="vi chord in G shape I chord position."
+    caption="vi chord in G shape I position."
     url="/assets/figures/major-harmony/G-6.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="vii chord in G shape I chord position."
+    caption="vii chord in G shape I position."
     url="/assets/figures/major-harmony/G-7.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V7 chord in G shape I chord position."
+    caption="V7 chord in G shape I position."
     url="/assets/figures/major-harmony/G-5-dom7.svg" 
     class="chord row" 
 %}
 
 ## E shape I chord position
+{:.page-break-before}
 
 {% include figure.html
-    caption="I chord in E shape I chord position."
+    caption="I chord in E shape I position."
     url="/assets/figures/major-harmony/E-1.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="ii chord in E shape I chord position."
+    caption="ii chord in E shape I position."
     url="/assets/figures/major-harmony/E-2.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="iii chord in E shape I chord position."
+    caption="iii chord in E shape I position."
     url="/assets/figures/major-harmony/E-3.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="IV chord in E shape I chord position."
+    caption="IV chord in E shape I position."
     url="/assets/figures/major-harmony/E-4.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V chord in E shape I chord position."
+    caption="V chord in E shape I position."
     url="/assets/figures/major-harmony/E-5.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="vi chord in E shape I chord position."
+    caption="vi chord in E shape I position."
     url="/assets/figures/major-harmony/E-6.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="vii chord in E shape I chord position."
+    caption="vii chord in E shape I position."
     url="/assets/figures/major-harmony/E-7.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V7 chord in E shape I chord position."
+    caption="V7 chord in E shape I position."
     url="/assets/figures/major-harmony/E-5-dom7.svg" 
     class="chord row" 
 %}
 
 
 ## D shape I chord position
+{:.page-break-before}
 
 {% include figure.html
-    caption="I chord in D shape I chord position."
+    caption="I chord in D shape I position."
     url="/assets/figures/major-harmony/D-1.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="ii chord in D shape I chord position."
+    caption="ii chord in D shape I position."
     url="/assets/figures/major-harmony/D-2.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="iii chord in D shape I chord position."
+    caption="iii chord in D shape I position."
     url="/assets/figures/major-harmony/D-3.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="IV chord in D shape I chord position."
+    caption="IV chord in D shape I position."
     url="/assets/figures/major-harmony/D-4.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V chord in D shape I chord position."
+    caption="V chord in D shape I position."
     url="/assets/figures/major-harmony/D-5.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="vi chord in D shape I chord position."
+    caption="vi chord in D shape I position."
     url="/assets/figures/major-harmony/D-6.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="vii chord in D shape I chord position."
+    caption="vii chord in D shape I position."
     url="/assets/figures/major-harmony/D-7.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V7 chord in D shape I chord position."
+    caption="V7 chord in D shape I position."
     url="/assets/figures/major-harmony/D-5-dom7.svg" 
     class="chord row" 
 %}
 
-
 ## Shapes on the whole fretboard
+{:.page-break-before}
 
 {% include figure.html
     caption="I chord on whole fretboard."
diff --git a/_chapters/020-chords/060-minor-harmony.md b/_chapters/020-chords/060-minor-harmony.md
index 7e065ccb..50d48891 100644
--- a/_chapters/020-chords/060-minor-harmony.md
+++ b/_chapters/020-chords/060-minor-harmony.md
@@ -57,7 +57,7 @@ the notes and chords in A natural minor are the same as the notes in C major.
 This is a quick way to get started learning the chords in a minor key: 
 by learning a major key we get the relative minor for free.
 
-<div class="table-wrapper" markdown="block">
+<div class="table-wrapper page-break-before" markdown="block">
 
 | Minor key (Am) | Chord      | Major key (C) | Major degrees | Minor degrees | Notes | Chord factors | Chord type |
 |:--------------:|:----------:|:------------:|:-------------:|:-------------:|:-----:|:--------------|:-----------|
@@ -124,83 +124,88 @@ These contortions are collectively called "melodic minor".
 
 
 ## C shape i chord position
+{:.page-break-before}
 
 {% include figure.html
-    caption="Natural minor scale in C shape i chord position"
+    caption="Natural minor scale in C shape i position"
     url="/assets/figures/minor-harmony/C-minor-scale.svg"
     class="chord row"
 %}
 
 {% include figure.html
-    caption="Relative major scale in D shape I chord position"
+    caption="Relative major scale in D shape I position"
     url="/assets/figures/minor-harmony/D-major-scale.svg"
     class="chord row"
 %}
 
 Compare these diatonic minor chords around a C shape i chord with their relative 
-[diatonic major chords in D shape I chord position](major-harmony.html#d-shape-i-chord-position).
+[diatonic major chords in D shape I position](major-harmony.html#d-shape-i-chord-position).
+
+**Minor key chords in C shape i position**
+{:.page-break-before}
 
 {% include figure.html
-    caption="i chord in C shape i chord position."
+    caption="i chord in C shape i position."
     url="/assets/figures/minor-harmony/C-i.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="ii&deg; chord in C shape i chord position."
+    caption="ii&deg; chord in C shape i position."
     url="/assets/figures/minor-harmony/C-ii.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="bIII chord in C shape i chord position."
+    caption="bIII chord in C shape i position."
     url="/assets/figures/minor-harmony/C-bIII.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="iv chord in C shape i chord position."
+    caption="iv chord in C shape i position."
     url="/assets/figures/minor-harmony/C-iv.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="v chord in C shape i chord position."
+    caption="v chord in C shape i position."
     url="/assets/figures/minor-harmony/C-v.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="bVI chord in C shape i chord position."
+    caption="bVI chord in C shape i position."
     url="/assets/figures/minor-harmony/C-bVI.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="bVII chord in C shape i chord position."
+    caption="bVII chord in C shape i position."
     url="/assets/figures/minor-harmony/C-bVII.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="vii&deg; chord in C shape i chord position."
+    caption="vii&deg; chord in C shape i position."
     url="/assets/figures/minor-harmony/C-vii-dim.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V chord in C shape i chord position."
+    caption="V chord in C shape i position."
     url="/assets/figures/minor-harmony/C-V-maj.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V7 chord in C shape i chord position."
+    caption="V7 chord in C shape i position."
     url="/assets/figures/minor-harmony/C-V7.svg" 
     class="chord row" 
 %}
 
 ## Practicing these chords
+{:.page-break-before}
 
 ### Play minor key songs in position
 
@@ -254,314 +259,330 @@ thinking of a chord in context of both the minor and relative major scales.
 ## A shape i chord position
 
 {% include figure.html
-    caption="Natural minor scale in A shape i chord position"
+    caption="Natural minor scale in A shape i position"
     url="/assets/figures/minor-harmony/A-minor-scale.svg"
     class="chord row"
 %}
 
 {% include figure.html
-    caption="Relative major scale in C shape I chord position"
+    caption="Relative major scale in C shape I position"
     url="/assets/figures/minor-harmony/C-major-scale.svg"
     class="chord row"
 %}
 
 Compare these diatonic minor chords around an A shape i chord with their relative 
-[diatonic major chords in C shape I chord position](major-harmony.html#c-shape-i-chord-position).
+[diatonic major chords in C shape I position](major-harmony.html#c-shape-i-chord-position).
+
+**Minor key chords in A shape i position**
+{:.page-break-before}
 
 {% include figure.html
-    caption="i chord in A shape i chord position."
+    caption="i chord in A shape i position."
     url="/assets/figures/minor-harmony/A-i.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="ii&deg; chord in A shape i chord position."
+    caption="ii&deg; chord in A shape i position."
     url="/assets/figures/minor-harmony/A-ii.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="bIII chord in A shape i chord position."
+    caption="bIII chord in A shape i position."
     url="/assets/figures/minor-harmony/A-bIII.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="iv chord in A shape i chord position."
+    caption="iv chord in A shape i position."
     url="/assets/figures/minor-harmony/A-iv.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="v chord in A shape i chord position."
+    caption="v chord in A shape i position."
     url="/assets/figures/minor-harmony/A-v.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="bVI chord in A shape i chord position."
+    caption="bVI chord in A shape i position."
     url="/assets/figures/minor-harmony/A-bVI.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="bVII chord in A shape i chord position."
+    caption="bVII chord in A shape i position."
     url="/assets/figures/minor-harmony/A-bVII.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="vii&deg; chord in A shape i chord position."
+    caption="vii&deg; chord in A shape i position."
     url="/assets/figures/minor-harmony/A-vii-dim.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V chord in A shape i chord position."
+    caption="V chord in A shape i position."
     url="/assets/figures/minor-harmony/A-V-maj.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V7 chord in A shape i chord position."
+    caption="V7 chord in A shape i position."
     url="/assets/figures/minor-harmony/A-V7.svg" 
     class="chord row" 
 %}
 
 ## G shape i chord position
+{:.page-break-before}
 
 {% include figure.html
-    caption="Natural minor scale in G shape i chord position"
+    caption="Natural minor scale in G shape i position"
     url="/assets/figures/minor-harmony/G-minor-scale.svg"
     class="chord row"
 %}
 
 {% include figure.html
-    caption="Relative major scale in A shape I chord position"
+    caption="Relative major scale in A shape I position"
     url="/assets/figures/minor-harmony/A-major-scale.svg"
     class="chord row"
 %}
 
 Compare these diatonic minor chords around a G shape i chord with their relative 
-[diatonic major chords in A shape I chord position](major-harmony.html#a-shape-i-chord-position).
+[diatonic major chords in A shape I position](major-harmony.html#a-shape-i-chord-position).
+
+**Minor key chords in G shape i position**
+{:.page-break-before}
 
 {% include figure.html
-    caption="i chord in G shape i chord position."
+    caption="i chord in G shape i position."
     url="/assets/figures/minor-harmony/G-i.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="ii&deg; chord in G shape i chord position."
+    caption="ii&deg; chord in G shape i position."
     url="/assets/figures/minor-harmony/G-ii.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="bIII chord in G shape i chord position."
+    caption="bIII chord in G shape i position."
     url="/assets/figures/minor-harmony/G-bIII.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="iv chord in G shape i chord position."
+    caption="iv chord in G shape i position."
     url="/assets/figures/minor-harmony/G-iv.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="v chord in G shape i chord position."
+    caption="v chord in G shape i position."
     url="/assets/figures/minor-harmony/G-v.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="bVI chord in G shape i chord position."
+    caption="bVI chord in G shape i position."
     url="/assets/figures/minor-harmony/G-bVI.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="bVII chord in G shape i chord position."
+    caption="bVII chord in G shape i position."
     url="/assets/figures/minor-harmony/G-bVII.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="vii&deg; chord in G shape i chord position."
+    caption="vii&deg; chord in G shape i position."
     url="/assets/figures/minor-harmony/G-vii-dim.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V chord in G shape i chord position."
+    caption="V chord in G shape i position."
     url="/assets/figures/minor-harmony/G-V-maj.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V7 chord in G shape i chord position."
+    caption="V7 chord in G shape i position."
     url="/assets/figures/minor-harmony/G-V7.svg" 
     class="chord row" 
 %}
 
 ## E shape i chord position
+{:.page-break-before}
 
 {% include figure.html
-    caption="Natural minor scale in E shape i chord position"
+    caption="Natural minor scale in E shape i position"
     url="/assets/figures/minor-harmony/E-minor-scale.svg"
     class="chord row"
 %}
 
 {% include figure.html
-    caption="Relative major scale in G shape I chord position"
+    caption="Relative major scale in G shape I position"
     url="/assets/figures/minor-harmony/G-major-scale.svg"
     class="chord row"
 %}
 
 Compare these diatonic minor chords around an E shape i chord with their relative 
-[diatonic major chords in G shape I chord position](major-harmony.html#g-shape-i-chord-position).
+[diatonic major chords in G shape I position](major-harmony.html#g-shape-i-chord-position).
+
+**Minor key chords in E shape i position**
+{:.page-break-before}
 
 {% include figure.html
-    caption="i chord in E shape i chord position."
+    caption="i chord in E shape i position."
     url="/assets/figures/minor-harmony/E-i.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="ii&deg; chord in E shape i chord position."
+    caption="ii&deg; chord in E shape i position."
     url="/assets/figures/minor-harmony/E-ii.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="bIII chord in E shape i chord position."
+    caption="bIII chord in E shape i position."
     url="/assets/figures/minor-harmony/E-bIII.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="iv chord in E shape i chord position."
+    caption="iv chord in E shape i position."
     url="/assets/figures/minor-harmony/E-iv.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="v chord in E shape i chord position."
+    caption="v chord in E shape i position."
     url="/assets/figures/minor-harmony/E-v.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="bVI chord in E shape i chord position."
+    caption="bVI chord in E shape i position."
     url="/assets/figures/minor-harmony/E-bVI.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="bVII chord in E shape i chord position."
+    caption="bVII chord in E shape i position."
     url="/assets/figures/minor-harmony/E-bVII.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="vii&deg; chord in E shape i chord position."
+    caption="vii&deg; chord in E shape i position."
     url="/assets/figures/minor-harmony/E-vii-dim.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V chord in E shape i chord position."
+    caption="V chord in E shape i position."
     url="/assets/figures/minor-harmony/E-V-maj.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V7 chord in E shape i chord position."
+    caption="V7 chord in E shape i position."
     url="/assets/figures/minor-harmony/E-V7.svg" 
     class="chord row" 
 %}
 
 
 ## D shape i chord position
+{:.page-break-before}
 
 {% include figure.html
-    caption="Natural minor scale in D shape i chord position"
+    caption="Natural minor scale in D shape i position"
     url="/assets/figures/minor-harmony/D-minor-scale.svg"
     class="chord row"
 %}
 
 {% include figure.html
-    caption="Relative major scale in E shape I chord position"
+    caption="Relative major scale in E shape I position"
     url="/assets/figures/minor-harmony/E-major-scale.svg"
     class="chord row"
 %}
 
 Compare these diatonic minor chords around an D shape i chord with their relative 
-[diatonic major chords in E shape I chord position](major-harmony.html#e-shape-i-chord-position).
+[diatonic major chords in E shape I position](major-harmony.html#e-shape-i-chord-position).
+
+**Minor key chords in D shape i position**
+{:.page-break-before}
 
 {% include figure.html
-    caption="i chord in D shape i chord position."
+    caption="i chord in D shape i position."
     url="/assets/figures/minor-harmony/D-i.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="ii&deg; chord in D shape i chord position."
+    caption="ii&deg; chord in D shape i position."
     url="/assets/figures/minor-harmony/D-ii.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="bIII chord in D shape i chord position."
+    caption="bIII chord in D shape i position."
     url="/assets/figures/minor-harmony/D-bIII.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="iv chord in D shape i chord position."
+    caption="iv chord in D shape i position."
     url="/assets/figures/minor-harmony/D-iv.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="v chord in D shape i chord position."
+    caption="v chord in D shape i position."
     url="/assets/figures/minor-harmony/D-v.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="bVI chord in D shape i chord position."
+    caption="bVI chord in D shape i position."
     url="/assets/figures/minor-harmony/D-bVI.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="bVII chord in D shape i chord position."
+    caption="bVII chord in D shape i position."
     url="/assets/figures/minor-harmony/D-bVII.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="vii&deg; chord in D shape i chord position."
+    caption="vii&deg; chord in D shape i position."
     url="/assets/figures/minor-harmony/D-vii-dim.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V chord in D shape i chord position."
+    caption="V chord in D shape i position."
     url="/assets/figures/minor-harmony/D-V-maj.svg" 
     class="chord row" 
 %}
 
 {% include figure.html
-    caption="V7 chord in D shape i chord position."
+    caption="V7 chord in D shape i position."
     url="/assets/figures/minor-harmony/D-V7.svg" 
     class="chord row" 
 %}
 
 
 ## Shapes on the whole fretboard
+{:.page-break-before}
 
 {% include figure.html
     caption="i chord in minor key on whole fretboard"
diff --git a/_chapters/020-chords/100-seventh-chords.md b/_chapters/020-chords/100-seventh-chords.md
index 8f1a3fde..24614741 100644
--- a/_chapters/020-chords/100-seventh-chords.md
+++ b/_chapters/020-chords/100-seventh-chords.md
@@ -4,7 +4,7 @@ slug: seventh-chords
 abstract: Add a seventh interval to a triad chord to create a little tension. Introducing drop 2 and drop 3 chord voicings.
 ---
 
-## What are seventh chords
+## What are seventh chords?
 
 Seventh chords are triad chords with an additional "stacked third" on top,
 which is always some kind of seventh interval.
@@ -19,7 +19,7 @@ and a good way to add a little tension and interest to a chord.
 
 There are five types of seventh chord used in euroclassical harmony.
 
-<div class="table-wrapper" markdown="block">
+<div class="table-wrapper page-break-before" markdown="block">
 
 | Chord type             | Intervals   | Symbol (on C)               | Notes (on C) |
 |------------------------|-------------|-----------------------------|:------------:|
@@ -95,6 +95,7 @@ The closed voicings can sound "muddy",
 and opening them up can make them sound lighter and more spacious.
 
 ### Drop 3 voicing
+{:.page-break-before}
 
 {% include figure.html
     caption="6th-string root major seventh chord in drop 3 voicing."
@@ -134,6 +135,7 @@ we just need to remember a few things about drop voicings on guitar.
 These are examples of "drop 2" voicings.
 
 **Drop 2 voicings** on guitar have the following properties.
+{:.page-break-before}
 - A **5th-string** or **4th-string root**.
 - **No string skip**, on 4 contiguous strings.
 - A `R-5-7-3` voicing, the **third** factor **raised** an octave.
@@ -173,6 +175,7 @@ These are examples of "drop 2" voicings.
 %}
 
 ### A shape (drop 2)
+{:.page-break-before}
 
 {% include figure.html
     caption="Major seventh chord in A CAGED shape (drop 2 voicing)."
@@ -205,6 +208,7 @@ These are examples of "drop 2" voicings.
 %}
 
 ### D shape (drop 2)
+{:.page-break-before}
 
 {% include figure.html
     caption="Major seventh chord in D CAGED shape (drop 2 voicing)."
diff --git a/_chapters/020-chords/105-shell-voicings.md b/_chapters/020-chords/105-shell-voicings.md
index 14ca7ffb..e480f265 100644
--- a/_chapters/020-chords/105-shell-voicings.md
+++ b/_chapters/020-chords/105-shell-voicings.md
@@ -93,6 +93,7 @@ See {% include chapter-link.html slug="color-chords" %} for more about substitut
 %}
 
 ## Shell chord progressions
+{:.page-break-before}
 
 ### ii-V-I cadences
 
@@ -156,6 +157,7 @@ for more information about ii-V-I cadences.
 %}
 
 ### Diatonic progressions
+{:.page-break-before}
 
 {% include figure.html
     caption="IV major seven shell voicing in diatonic progression."
diff --git a/_chapters/020-chords/110-color-chords.md b/_chapters/020-chords/110-color-chords.md
index 92eebfb4..7cbd3971 100644
--- a/_chapters/020-chords/110-color-chords.md
+++ b/_chapters/020-chords/110-color-chords.md
@@ -94,6 +94,7 @@ it's a curated list aiming to include the most common chord grips for some of th
 %}
 
 ### add9
+{:.page-break-before}
 
 {% include figure.html
     caption="add9 chord with 5th string root."
@@ -144,6 +145,7 @@ it's a curated list aiming to include the most common chord grips for some of th
 %}
 
 ## Minor chords
+{:.page-break-before}
 
 ### Minor 6th
 
@@ -201,6 +203,7 @@ it's a curated list aiming to include the most common chord grips for some of th
 
 
 ## Suspended chords
+{:.page-break-before}
 
 Suspended chords contain no third interval,
 so they are considered neither major nor minor,
@@ -238,6 +241,7 @@ or in short riffs and flourishes.
 %}
 
 ## Dominant chords
+{:.page-break-before}
 
 ### Dominant 9th
 
@@ -274,6 +278,7 @@ or in short riffs and flourishes.
 %}
 
 ## Altered dominants
+{:.page-break-before}
 
 ### 7b5 (aka 7#11)
 
@@ -356,6 +361,7 @@ These chords are often played without the root note.
 
 
 ### 7b5#9
+{:.page-break-before}
 
 These chords are often played without the root note.
 
@@ -388,6 +394,7 @@ These chords are often played without the root note.
 %}
 
 ### 7#5#9
+{:.page-break-before}
 
 These chords are often played without the root note.
 
diff --git a/_chapters/020-chords/130-keys.md b/_chapters/020-chords/130-keys.md
index 40795c2b..847f6348 100644
--- a/_chapters/020-chords/130-keys.md
+++ b/_chapters/020-chords/130-keys.md
@@ -56,6 +56,7 @@ Order of flats: B E A D G C F (the inverse, descending fifths)
 Mnemonic: *Battle Ends And Down Goes Charles' Father*
 
 ## Notes in each key
+{:.page-break-before}
 
 <div class="table-wrapper" markdown="block">
 
@@ -76,7 +77,7 @@ Mnemonic: *Battle Ends And Down Goes Charles' Father*
 </div>
 
 ## Finding the sharp/flat notes in a key
-
+{:.page-break-before}
 
 ### Natural keys 
 
@@ -104,6 +105,7 @@ Ex. key of Db has Bb Eb Ab Db Gb
 Figure out notes in the natural key, and sharpen every one.
 
 ## The circle of fifths
+{:.page-break-before}
 
 {% include figure.html
     caption="Circle of fifths, by 'Just plain Bill' on Wikipedia. See copyright page for details."
diff --git a/_chapters/030-scales/010-scale-intro.md b/_chapters/030-scales/010-scale-intro.md
index 381c951e..2b7eb413 100644
--- a/_chapters/030-scales/010-scale-intro.md
+++ b/_chapters/030-scales/010-scale-intro.md
@@ -33,7 +33,7 @@ We have to think about each note as we play it,
 and slow down to give ourselves time to do so.
 See "[practice mindfully](#practicing-mindfully)" below for details.
 
-## What is a scale
+## What is a scale?
 
 A scale is an ordered collection of tones.
 
@@ -58,6 +58,7 @@ with five whole tone intervals and two semitones
 spaced as far apart as possible.
 
 ### Scale formulas
+{:.page-break-before}
 
 Scales are defined by their intervals, 
 either between degrees (**T-T-S-T-T-T-S**),
@@ -94,6 +95,7 @@ with semitones between degrees 2-b3 and 5-b6.
 </div>
 
 ## Assembling scales on one string
+{:.page-break-before}
 
 The simplest way to visualize a scale is on a single guitar string.
 The scale semitones and tones are one and two frets apart. 
@@ -123,6 +125,7 @@ with the upper tetrachord to the the *left* of the lower,
 on every pair of strings except for 2-3.
 
 Here are the two tetrachords of the major scale.
+{:.page-break-before}
 
 {% include figure.html
     caption="Major scale tetrachords"
@@ -155,6 +158,7 @@ Compared to the major scale,
 it's easy to see the melodic minor differs by having a minor third.
 
 Some common tetrachord names:
+{:.page-break-before}
 
 <div class="table-wrapper" markdown="block">
 
@@ -305,6 +309,9 @@ so they will become part of our personal style.
 
 ### Patterns and arpeggios
 
+It's worth practicing scales in the following patterns. 
+They sound good, it's more interesting than just playing ascending and descending, 
+and a lot of melodies incorporate these patterns.
 - Thirds: Ascending thirds up and down, then descending thirds up and down
 - 3-note diatonic arpeggios: ascending up and down, then descending up and down
 - Cyclical quadruplets (3123, 3213, 1321, 1231)
diff --git a/_chapters/030-scales/030-major-scale.md b/_chapters/030-scales/030-major-scale.md
index 55e6f04e..7b916857 100644
--- a/_chapters/030-scales/030-major-scale.md
+++ b/_chapters/030-scales/030-major-scale.md
@@ -26,6 +26,7 @@ all the major scale degrees are major or perfect intervals.
 </div>
 
 ## Assemble on one string
+{:.page-break-before}
 
 The simplest way to visualize a scale is on a single guitar string.
 The scale semitones and tones are one and two frets apart.
@@ -39,6 +40,7 @@ Here is the major scale on one string.
 %}
 
 ## Tetrachords
+{:.page-break-before}
 
 Here are the two tetrachords of the major scale.
 
@@ -137,6 +139,8 @@ It's a bit awkward at first but it feels more natural after awhile.
 
 ## Whole fretboard
 
+The following diagram shows the major scale on the entire fretboard.
+
 {% include figure.html
     caption="C major scale on whole fretboard."
     url="/assets/figures/major-scale/major-C-all.svg"
diff --git a/_chapters/030-scales/050-minor-scales.md b/_chapters/030-scales/050-minor-scales.md
index fc9e01bd..ef0fabd7 100644
--- a/_chapters/030-scales/050-minor-scales.md
+++ b/_chapters/030-scales/050-minor-scales.md
@@ -5,6 +5,7 @@ abstract: The natural minor scale, with adjustments to degrees 6 and 7 as harmon
 ---
 
 ## About minor tonality
+{:.page-break-before}
 
 ### Minor scale tones
 
@@ -50,6 +51,7 @@ it can be more helpful to think of them as one general minor scale,
 with an adjustable sixth and seventh as needed.
 
 ## Minor scales
+{:.page-break-before}
 
 ### Natural minor scale
 
@@ -65,7 +67,7 @@ the sixth diatonic mode of the major scale,
 the *Aeolian mode*.
 See {% include chapter-link.html slug="diatonic-modes" %} for details.
 
-<div class="table-wrapper" markdown="block">
+<div class="table-wrapper page-break-before" markdown="block">
 **A natural minor**
 
 | |T|S |T|T|S |T |T|
@@ -96,6 +98,7 @@ This tetrachord is sometimes called *phrygian* or *upper minor*.
 
 
 ### Harmonic minor scale 
+{:.page-break-before}
 
 The harmonic minor scale is a seven note scale 
 created by raising the seventh degree of the natural minor scale
@@ -128,6 +131,7 @@ It has a b3 and a b6.
 %}
 
 ### Melodic minor scale
+{:.page-break-before}
 
 The melodic minor scale is a seven note scale 
 created by raising the sixth degree of the harmonic minor scale,
@@ -151,7 +155,7 @@ with the various modes of melodic minor regularly used in jazz pieces.
 The melodic minor scale has a b3,
 with semitones between degrees 2-b3 and 7-1.
 
-<div class="table-wrapper" markdown="block">
+<div class="table-wrapper page-break-before" markdown="block">
 **A melodic minor**
 
 | |T|S |T|T|T |T |S|
@@ -173,6 +177,7 @@ with semitones between degrees 2-b3 and 7-1.
 %}
 
 ### Combined minor scale
+{:.page-break-before}
 
 While there are several different minor scales,
 it can be helpful to think primarily in terms of a single general minor scale,
@@ -195,6 +200,7 @@ as is the perfect fifth.
 It can be useful to learn licks and phrases with the lower tetrachord and fifth since they will work regardless of what's happening with the 6 and 7.
 
 ## Relative major and minor
+{:.page-break-before}
 
 The notes in a natural minor scale are identical to the notes in the relative major scale a minor third above it. 
 For example, the notes and chords in A natural minor are the same as in C major.
@@ -220,7 +226,7 @@ and Am is said to be the *relative minor* of C.
 
 </div>
 
-<div class="table-wrapper" markdown="block">
+<div class="table-wrapper table-wide" markdown="block">
 **C major laid over relative minor**
 
 |               | |T|T|S|T|T|T|S |T|T|S |T |T|T|S|
@@ -290,6 +296,7 @@ It can be constructive to switch perspective back and forth,
 thinking of a tone as a degree of both the minor scale and the relative major.
 
 ## C form
+{:.page-break-before}
 
 {% include figure.html
     caption="Combined minor scales in C CAGED form."
@@ -342,6 +349,7 @@ Compare the relative major and separate minor scales.
 %}
 
 ## A form
+{:.page-break-before}
 
 {% include figure.html
     caption="Combined minor scales in A CAGED form."
@@ -376,6 +384,7 @@ Compare the relative major and separate minor scales.
 %}
 
 ## G form
+{:.page-break-before}
 
 {% include figure.html
     caption="Combined minor scales in G CAGED form."
@@ -410,6 +419,7 @@ Compare the relative major and separate minor scales.
 %}
 
 ## E form
+{:.page-break-before}
 
 {% include figure.html
     caption="Combined minor scales in E CAGED form."
@@ -452,6 +462,7 @@ Compare the relative major and the separate minor scales below.
 
 
 ## D form
+{:.page-break-before}
 
 {% include figure.html
     caption="Combined minor scales in D CAGED form."
@@ -487,6 +498,9 @@ Compare the relative major and the separate minor scales below.
 
 
 ## Whole fretboard
+{:.page-break-before}
+
+The following diagrams show minor scales on the entire fretboard.
 
 {% include figure.html
     caption="Am combined minor scale on the whole fretboard with CAGED outlines."
diff --git a/_chapters/030-scales/075-diatonic-modes.md b/_chapters/030-scales/075-diatonic-modes.md
index 6fcedc1a..f8c3e83b 100644
--- a/_chapters/030-scales/075-diatonic-modes.md
+++ b/_chapters/030-scales/075-diatonic-modes.md
@@ -4,7 +4,7 @@ slug: diatonic-modes
 abstract: The seven modes of the major scale describe the tonal environments of the seven diatonic chords in a major key.
 ---
 
-## What are diatonic modes
+## What are diatonic modes?
 
 The diatonic modes are the seven rotations of the major scale, 
 each starting at a different degree of the major scale 
@@ -43,7 +43,7 @@ A mnemonic to help remember the modes is "I Don't Punch Like Mohammed A-Li".
 
 **Modes of the major scale**
 
-<div class="table-wrapper" markdown="block">
+<div class="table-wrapper table-wide" markdown="block">
 
 |            | |T|T|S |T |T|T |S |T |T|S |T |T |T|S|
 |            |C|D|E|F |G |A|B |C |D |E|F |G |A |B|C|
@@ -119,6 +119,7 @@ The Ionian mode should be memorized.
 It allows us to immediately identify the interval between any two notes up to an octave apart on the fretboard.
 
 ### vi: Aeolian - minor
+{:.page-break-before}
 
 {% include figure.html
     caption="A Aeolian tetrachords relative to C major on bottom strings."
@@ -188,6 +189,7 @@ assemble the tetrachord on the 5th and 6th strings starting from the root of the
 and then play another Am.
 
 ## ii: Dorian
+{:.page-break-before}
 
 {% include figure.html
     caption="D Dorian tetrachords relative to C major on bottom strings."
@@ -228,6 +230,7 @@ assemble the tetrachord on the 5th and 6th strings starting from the root of the
 and then play another Dm.
 
 ## iii: Phrygian
+{:.page-break-before}
 
 {% include figure.html
     caption="E Phrygian tetrachords relative to C major on bottom strings."
diff --git a/_chapters/030-scales/090-pentatonic-and-blues-scales.md b/_chapters/030-scales/090-pentatonic-and-blues-scales.md
index e393a7ac..7e6d00db 100644
--- a/_chapters/030-scales/090-pentatonic-and-blues-scales.md
+++ b/_chapters/030-scales/090-pentatonic-and-blues-scales.md
@@ -103,6 +103,9 @@ pentatonic scales can be represented by two "trichords".
 The missing fourth and seventh intervals from the diatonic major scale are also shown,
 to demonstrate how their absence removes the tritone and semitones.
 
+**C major pentatonic scale and its trichords on the fretboard**
+{:.page-break-before}
+
 {% include figure.html
     caption="C major pentatonic scale on 5th string."
     url="/assets/figures/pentatonic/C-major-5.svg"
@@ -120,6 +123,7 @@ starting from Db.
 
 
 ### Minor pentatonic scale
+{:.page-break-before}
 
 The minor pentatonic scale has tone-and-a-half intervals between degrees 1&#x302;-b3&#x302; and 5&#x302;-b7&#x302;.
 
@@ -147,6 +151,7 @@ The minor pentatonic scale can be played with just the black keys on a piano key
 starting from Bb.
 
 ### Relative major and minor
+{:.page-break-before}
 
 Like the natural minor (Aeolian) mode of the major scale,
 the minor pentatonic mode is a major sixth above, 
@@ -164,6 +169,9 @@ It's also the fifth mode of the major pentatonic scale.
 
 </div>
 
+**C major and relative A minor pentatonic scales on the fretboard**
+{:.page-break-before}
+
 {% include figure.html
     caption="C major pentatonic scale on 5th string."
     url="/assets/figures/pentatonic/C-major-5-offset.svg"
@@ -177,6 +185,7 @@ It's also the fifth mode of the major pentatonic scale.
 %}
 
 ### C form
+{:.page-break-before}
 
 {% include figure.html
     caption="Major pentatonic scale in C CAGED form."
@@ -213,6 +222,7 @@ Notice the relative major and minor forms:
 - The A minor form is the same as the C major form (above).
 
 ### G form
+{:.page-break-before}
 
 {% include figure.html
     caption="Major pentatonic scale in G CAGED form."
@@ -249,6 +259,7 @@ Notice the relative major and minor forms:
 - The E minor form is the same as the G major form (above).
 
 ### D form
+{:.page-break-before}
 
 {% include figure.html
     caption="Major pentatonic scale in D CAGED form."
diff --git a/_chapters/030-scales/110-specialty-scales.md b/_chapters/030-scales/110-specialty-scales.md
index 29f96d91..d3330d44 100644
--- a/_chapters/030-scales/110-specialty-scales.md
+++ b/_chapters/030-scales/110-specialty-scales.md
@@ -19,7 +19,7 @@ the **flat two** and the **tone-and-a-half** interval.
 In addition to being popular in Middle Eastern music,
 Hijaz is one of the most common scales used in Flamenco.
 
-<div class="table-wrapper" markdown="block">
+<div class="table-wrapper page-break-before" markdown="block">
 **Hijaz scale**
 
 | |S |TS|S|T|S |T |T|
@@ -49,6 +49,7 @@ but it's the same as the phrygian tetrachord, `1-b2-b3-4`.
 
 
 ## Bebop
+{:.page-break-before}
 
 Bebop scales are 7-note scales with an added passing tone,
 placed so that each chord tone occurs on a downbeat.
@@ -58,7 +59,7 @@ The resulting 8-note scale allows playing fast 16th notes with all downbeats on
 The most common bebop scale is based on the Mixolydian mode.
 This is also called the "dominant bebop scale".
 
-<div class="table-wrapper" markdown="block">
+<div class="table-wrapper page-break-before" markdown="block">
 **Mixolydian bebop scale**
 
 | |T|T|S|T|T|S |S|T|
@@ -81,6 +82,7 @@ This is also called the "dominant bebop scale".
 
 
 ## Jazz minor and its modes
+{:.page-break-before}
 
 Jazz musicians are fond of the melodic minor scale.
 
@@ -98,7 +100,7 @@ The different modes of jazz minor are also commonly used jazz scales.
 
 **Modes of jazz minor**
 
-<div class="table-wrapper" markdown="block">
+<div class="table-wrapper table-wide" markdown="block">
 
 |    |             | |T|S |T |T |T |T |S |T |S |T |T |T |T|S|
 |    |             |C|D|Eb|F |G |A |B |C |D |Eb|F |G |A |B|C|
@@ -113,6 +115,7 @@ The different modes of jazz minor are also commonly used jazz scales.
 </div>
 
 ### i: Jazz minor (melodic minor)
+{:.page-break-before}
 
 {% include figure.html
     caption="A melodic minor tetrachords on bottom strings."
@@ -127,6 +130,7 @@ The different modes of jazz minor are also commonly used jazz scales.
 %}
 
 ### ii: Dorian b2
+{:.page-break-before}
 
 Dorian b2 is also known as 
 "Phrygian #6", 
@@ -146,6 +150,7 @@ or "Phrygidorian".
 %}
 
 ### bIII: Lydian #5
+{:.page-break-before}
 
 Lydian #5 is also known as
 "Lydian augmented".
@@ -163,6 +168,7 @@ Lydian #5 is also known as
 %}
 
 ### IV: Lydian b7
+{:.page-break-before}
 
 Lydian b7 is also known as
 "Lydian dominant".
@@ -180,6 +186,7 @@ Lydian b7 is also known as
 %}
 
 ### V: Mixolydian b6
+{:.page-break-before}
 
 Mixolydian b6 is also known as
 "Melodic major",
@@ -199,6 +206,7 @@ or "Myxaeolian".
 %}
 
 ### vi: Locrian #2
+{:.page-break-before}
 
 Locrian #2 is also known as
 "Half-diminished"
@@ -217,6 +225,7 @@ or "Aeolocrian".
 %}
 
 ### vii: Altered scale
+{:.page-break-before}
 
 The altered scale is also known as
 "Super Locrian"
diff --git a/_chapters/999-back/010-appendix-note-names.md b/_chapters/999-back/010-appendix-note-names.md
index aee327f5..3c84d9f4 100644
--- a/_chapters/999-back/010-appendix-note-names.md
+++ b/_chapters/999-back/010-appendix-note-names.md
@@ -22,6 +22,7 @@ and the highest is around E5
 (the 12th fret on the high E string).
 
 ## C notes
+{:.page-break-before}
 
 {% include figure.html
     caption="C notes on fretboard in standard tuning."
@@ -50,6 +51,7 @@ and the highest is around E5
 <div style="clear: both;"></div>
 
 ## D notes
+{:.page-break-before}
 
 {% include figure.html
     caption="D notes on fretboard in standard tuning."
@@ -78,6 +80,7 @@ and the highest is around E5
 <div style="clear: both;"></div>
 
 ## E notes
+{:.page-break-before}
 
 {% include figure.html
     caption="E notes on fretboard in standard tuning."
@@ -112,6 +115,7 @@ and the highest is around E5
 <div style="clear: both;"></div>
 
 ## F notes
+{:.page-break-before}
 
 {% include figure.html
     caption="F notes on fretboard in standard tuning."
@@ -146,6 +150,7 @@ and the highest is around E5
 <div style="clear: both;"></div>
 
 ## G notes
+{:.page-break-before}
 
 {% include figure.html
     caption="G notes on fretboard in standard tuning."
@@ -180,6 +185,7 @@ and the highest is around E5
 <div style="clear: both;"></div>
 
 ## A notes
+{:.page-break-before}
 
 {% include figure.html
     caption="A notes on fretboard in standard tuning."
@@ -208,6 +214,7 @@ and the highest is around E5
 <div style="clear: both;"></div>
 
 ## B notes
+{:.page-break-before}
 
 {% include figure.html
     caption="B notes on fretboard in standard tuning."
@@ -236,6 +243,7 @@ and the highest is around E5
 <div style="clear: both;"></div>
 
 ## All natural notes
+{:.page-break-before}
 
 {% include figure.html
     caption="All natural notes on the fretboard in standard tuning."
diff --git a/_chapters/999-back/020-references.md b/_chapters/999-back/020-references.md
index becb0c6d..76f04a04 100644
--- a/_chapters/999-back/020-references.md
+++ b/_chapters/999-back/020-references.md
@@ -5,6 +5,8 @@ layout: chapter
 class: references
 ---
 
+<div class="references" markdown="block">
+
 Berg, C. (1997). *Mastering Guitar Technique: Process and Essence (Classic Guitar).* Mel Bay Publications, Inc.
 [ISBN 978-1-610-65058-8](https://en.wikipedia.org/wiki/Special:BookSources?isbn=978-1-610-65058-8){:#berg-1997}.
 
@@ -41,3 +43,4 @@ Tagg, P. (2018). *Everyday Tonality II (towards a tonal theory of what most peop
 Vincent, R. (2011). *Three-Note Voicings and Beyond.* Sher Music Co.
 [ISBN 978-1-883-21766-2](https://en.wikipedia.org/wiki/Special:BookSources?isbn=978-1-883-21766-2){:#vincent-2011}.
 
+</div>
\ No newline at end of file
diff --git a/_layouts/chapter.html b/_layouts/chapter.html
new file mode 100644
index 00000000..ddf197dc
--- /dev/null
+++ b/_layouts/chapter.html
@@ -0,0 +1,206 @@
+---
+layout: default
+---
+
+{% include build-chapter-nav.html %}
+
+{% if page_chapter_is_draft %}
+  <div class="markdown-section color-callout-light with-border" style="padding: 5px; padding-left: 10px; font-size: 16px; margin-bottom: 20px;">
+    This chapter is a
+    <b>draft</b>.
+    <a href="{{site.baseurl}}/outline.html">See the outline.</a>
+  </div>
+{% endif %}
+
+  <nav aria-label="Breadcrumb" class="breadcrumb markdown-section">
+    <ul>
+      {% if site.bookcrumbs.book_url %}
+        {% capture book_url %}{{site.baseurl}}{{site.bookcrumbs.book_url}}{% endcapture %}
+          <li>
+            {% unless book_url == page.url %}  
+              <a href="{{ book_url }}">
+            {% endunless %}
+              {% if site.bookcrumbs.book_icon %}<img class="book-icon" src="{{site.baseurl}}/{{ site.bookcrumbs.book_icon }}">{% endif %}
+              Book
+            {% unless book_url == page.url %}
+              </a>
+            {% endunless %}
+          </li>
+      {% endif %}
+
+      {% if site.bookcrumbs.contents_url %}
+        {% capture contents_url %}{{site.baseurl}}{{site.bookcrumbs.contents_url}}{% endcapture %}
+        <li {% if contents_url == page.url %}class="no-arrow"{% endif %}>
+          {% if contents_url != page.url %}
+            <a href="{{ contents_url }}">
+          {% endif %}
+            Contents
+          {% if contents_url != page.url %}
+            </a>
+          {% endif %}
+        </li>
+      {% endif %}
+
+      {% if page_chapter_is_part_index and page_part_num%}
+        <li class="breadcrumb-part no-arrow">
+          Part {{ page_part_num }}:
+        </li>
+      {% endif %}
+
+      {% if page_chapter and page_chapter_is_part_index != true %}
+        {% unless page_part_unnumbered and page_chapter_num == nil %}
+
+          {% if page_part_folder %}
+            {% unless page_part_unnumbered %}
+              <li class="breadcrumb-part">
+                {% if page_part_index_chapter %}
+                  <a href="{{ site.baseurl }}{{ page_part_index_chapter.url }}">
+                {% endif %}
+                Part {{ page_part_num }}: {{ page_part_label }}
+                {% if page_part_index_chapter %}
+                  </a>
+                {% endif %}
+              </li>
+            {% endunless %}
+          {% endif %}
+
+          {% if page_chapter_num %}
+            <li class="no-arrow">
+              Chapter {{ page_chapter_num }}.
+            </li>
+          {% endif %}
+
+        {% endunless %}
+      {% endif %}
+    </ul>
+  </nav>
+
+
+<section class="normal markdown-section">
+
+  {% if page_chapter_is_part_index %}
+    {% if page_part_num or page_part_label %}
+      <h1 class="heading-chapter-title heading-part">
+        {% if page_part_num %}
+          <div class="printable-only">PART {{ page_part_num }}:</div>
+        {% endif %}
+        {{ page_part_label | escape }}
+      </h1>
+    {% endif %}
+  {% else %}
+    {% if page.title %}
+    <h1
+      id="{{ page.slug }}"
+      data-level="1.1"
+      class="heading-chapter-title no_toc">
+      {% if page_chapter_num %}
+      <div class="printable-only">Chapter {{ page_chapter_num }}:</div>
+      {% endif %}
+      {{ page.title | escape }}
+    </h1>
+    {% endif %}
+  {% endif %}
+
+  {% if page.abstract %}
+    <div class="chapter-abstract color-callout-dark">
+      {{ page.abstract }}
+    </div>
+  {% endif %}
+
+  {% if site.in_chapter_toc.enabled and page.disable_toc != true and page_chapter_is_part_index != true %}
+    {% capture in_chapter_toc %}
+      {% include toc.html html=content h_min=site.sidebar_toc.h_min h_max=site.sidebar_toc.h_max %}{% endcapture %}
+    {% capture in_chapter_toc %}{{ in_chapter_toc | strip }}{% endcapture %}
+
+    {% if in_chapter_toc and in_chapter_toc != "" %}
+      <div class="page-toc">
+        <div class="page-toc-heading">
+          In this chapter:
+          {{ in_chapter_toc }}
+        </div>
+      </div>
+    {% endif %}
+  {% endif %}
+
+  {{ content }}
+
+  {% comment %}{% include chapter-iterate-vars.html inspect="page" %}{% endcomment %}
+</section>
+
+{% if page_prev_chapter or page_next_chapter %}
+  <div class="chapter-pager">
+
+    {% if page_next_chapter %}
+      {% if page_next_chapter_is_part_index %}
+        {% assign next_title = page_next_part_label %}
+      {% else %}
+        {% assign next_title = page_next_chapter.title %}
+      {% endif %}
+      <a
+        href="{{site.baseurl}}{{ page_next_chapter.url }}"
+        class="chapter-next {% unless page_prev_chapter %}pager-unique{% endunless %}"
+        aria-label="Next page: {{ next_title | escape }}"
+        data-level="1.1"
+        data-path="{{site.baseurl}}{{ page_next_chapter.url }}">
+        <div class="pager-arrow">
+          <i class="fa fa-arrow-right"></i>
+        </div>
+        <div class="pager-labels">
+          <div class="part">
+            Next:
+            {% if page_next_chapter_is_part_index %}
+              Part {{ page_next_part_num }}.
+            {% else %}
+              {% if page_next_part_label %}
+                {{ page_next_part_label }}
+                {% if page_next_chapter_num %} &#8250;{% endif %}
+              {% endif %}
+              {% if page_next_chapter_num %}Chapter {{ page_next_chapter_num }}.{% endif %}
+            {% endif %}
+          </div>
+          <div class="chapter-label">
+            {{ next_title | escape }}
+          </div>
+        </div>
+      </a>
+    {% endif %}
+
+    {% if page_prev_chapter %}
+      {% if page_prev_chapter_is_part_index %}
+        {% assign prev_title = page_prev_part_label %}
+      {% else %}
+        {% assign prev_title = page_prev_chapter.title %}
+      {% endif %}
+      <a
+        href="{{site.baseurl}}{{ page_prev_chapter.url }}"
+        class="chapter-prev {% unless page_next_chapter %}pager-unique{% endunless %}"
+        aria-label="Previous page: {{ prev_title | escape }}"
+        data-level="1.1"
+        data-path="{{site.baseurl}}{{ page_prev_chapter.url }}">
+        <div class="pager-arrow">
+          <i class="fa fa-arrow-left"></i>
+        </div>
+        <div class="pager-labels">
+          <div class="part">
+            Previous:
+            {% if page_prev_chapter_is_part_index %}
+              Part {{ page_prev_part_num }}.
+            {% else %}
+              {% if page_prev_part_label %}
+                {{ page_prev_part_label }}
+                {% if page_prev_chapter_num %}&#8250;{% endif %}
+              {% endif %}
+              {% if page_prev_chapter_num %}Chapter {{ page_prev_chapter_num }}.{% endif %}
+            {% endif %}
+          </div>
+          <div class="chapter-label">
+            {{ prev_title | escape }}
+          </div>
+        </div>
+      </a>
+    {% endif %}
+
+    <div style="clear: both;"></div>
+  </div>
+  <!-- .chapter-pager -->
+{% endif %}
diff --git a/assets/fretboardfoundation.css b/assets/fretboardfoundation.css
index 82284f22..93a4702a 100644
--- a/assets/fretboardfoundation.css
+++ b/assets/fretboardfoundation.css
@@ -62,3 +62,42 @@ figure.collapse {
 .page-footer {
   height: 500px;
 }
+
+.printable-only {
+  display: none;
+}
+.printable .printable-only {
+  display: inline-block;
+}
+.printable .printable-hidden {
+  display: none;
+}
+
+@media print {
+  .book .book-summary {
+    display: none;
+  }
+  .book .book-body .book-header {
+    display: none;
+  }
+  .book .book-body .page-footer {
+    display: none;
+  }
+  .book.book.with-summary .book-body,
+  .book .book-body {
+    margin: 0;
+  }
+  .book.with-summary .book-body .body-inner,
+  .book .book-body .body-inner {
+    margin: 0;
+  }
+  .book .book-body .body-inner .page-wrapper .page-inner {
+    padding: 0;
+  }
+  .book .chapter-pager {
+    display: none;
+  }
+  .book .breadcrumb {
+    display: none;
+  }
+}