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Pagination tweaks and copyedits for printable version
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jasongrimes committed Feb 3, 2024
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8 changes: 4 additions & 4 deletions _chapters/000-front/010-title.md
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Expand Up @@ -7,6 +7,8 @@ logo_top: false
logo_bottom: false
---

<img src="{{site.baseurl}}/assets/logos/logo-wide.svg" style="width:100%; margin-left: -3px;">

## Summary

Practical music theory for intermediate guitarists.
Expand All @@ -18,7 +20,7 @@ Start reading at the {% include chapter-link.html slug="toc" %}.
## Version

This edition: **{{ site.latest_edition }}**
plus revisions as of **{{ "now" | date: "%B %e, %Y" }}**.
<span class="printable-hidden">plus revisions as of **{{ "now" | date: "%B %e, %Y" }}**.</span>

The latest version of this book can always be found at
[fretboardfoundation.com/book.html](https://fretboardfoundation.com/book.html)
Expand All @@ -28,7 +30,7 @@ All editions are available at

## Copyright

Copyright &copy; 2022-2023 by Jason Grimes.
Copyright &copy; 2022-{{ "now" | date: "%Y" }} by Jason Grimes.

##### Credits

Expand All @@ -37,5 +39,3 @@ by ["Just plain Bill"](https://en.m.wikipedia.org/wiki/User:Just_plain_Bill)
is licensed under [CC BY-SA 3.0](https://creativecommons.org/licenses/by-sa/3.0/).
Used in {% include chapter-link.html slug="keys" anchor="the-circle-of-fifths" %}.

- **["Infobox icon"](https://commons.wikimedia.org/wiki/File:Infobox_info_icon.svg)**
by "User:Kontos" via Wikimedia Commons is licensed under [CC BY-SA 4.0](https://creativecommons.org/licenses/by-sa/4.0).
9 changes: 9 additions & 0 deletions _chapters/000-front/040-introduction.md
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Expand Up @@ -249,3 +249,12 @@ the book is designed to be used as a quick and fairly comprehensive reference,
in order to support your own guitar studies.

Any topic or diagram should be easy to find within a few "taps" through the tables of contents.

## Additional resources

In addition to this book, supplementary tools and materials are available on the Fretboard Foundation website.

For example, there are software applications that provide interactive, playable,
editable, and audible fretboard diagrams for exploring the ideas in this book in an experiential way.

See [fretboardfoundation.com/tools](https://fretboardfoundation.com/tools.html) for details.
6 changes: 6 additions & 0 deletions _chapters/010-playing-by-ear/030-single-position.md
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Expand Up @@ -27,6 +27,9 @@ Every pair of neighboring strings has the same relationship between their notes,
While all other strings are tuned the same distance apart,
there is a slightly smaller difference in pitch between strings 2 and 3.

**Identical notes on neighoring strings**
{:.no-page-break-after}

{% include figure.html
caption="Identical notes on all neighboring strings except 2-3, i.e. tuned a P4 apart."
url="/assets/figures/playing-by-ear/neighboring-strings-P4.svg"
Expand All @@ -51,6 +54,9 @@ There are many of these three-note triad chords around the fretboard.
Listen and explore to find them.
The following figures show some examples.

**Common triad chord shapes**
{:.no-page-break-after}

{% include figure.html
caption="Major triad with 3rd-string root on upper-middle strings."
url="/assets/figures/playing-by-ear/triad-A.svg"
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5 changes: 4 additions & 1 deletion _chapters/020-chords/010-harmony-intro.md
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Expand Up @@ -61,7 +61,7 @@ the hero goes on an adventure,
is victorious in a decisive crisis,
and comes home transformed.

## Intervals: the building blocks
## Intervals: the building blocks

Intervals are the basic building blocks of harmony.

Expand Down Expand Up @@ -145,6 +145,9 @@ See ["tone" in the glossary](glossary.html#tone) for details.
This table shows the names of intervals based on how many semitones they contain,
i.e. how many frets they span on one string.

**Intervals on the fretboard**
{:.no-page-break-after}

<div class="table-wrapper" markdown="block">

| Semi-tones (frets) | Interval | Note from C | Short scale degree name | Scale degree name | Frequency ratio (dissonance) |
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13 changes: 13 additions & 0 deletions _chapters/020-chords/020-caged.md
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Expand Up @@ -177,6 +177,7 @@ use it to play the secondary chords in the key of C major
up and down the fretboard.

**Practice the C minor shape with secondary chords in the key of C major:**
{:.page-break-before}

| 5th string root on fret | C Shape | Chord |
|:-----------------------:|:--------:|:-----:|
Expand Down Expand Up @@ -258,6 +259,7 @@ See {% include chapter-link.html slug="seventh-chords" %}
for a detailed discussion of seventh chords.

## A shapes
{:.page-break-before}

### A major shape

Expand Down Expand Up @@ -362,6 +364,7 @@ The treble triads can also be played by themselves:
`xxx321` and `xx231x`.

**Practice the A minor shape with secondary chords in the key of C major:**
{:.page-break-before}

| 5th string root on fret | A shape | Chord |
|:-----------------------:|:--------:|:-----:|
Expand Down Expand Up @@ -423,6 +426,7 @@ See {% include chapter-link.html slug="seventh-chords" %}
for a detailed discussion of seventh chords.

## G shapes
{:.page-break-before}

### G major shape

Expand Down Expand Up @@ -509,6 +513,7 @@ The G diminished shape can be gripped as
`1xx324` or `2xx314`.

**Practice G shapes with harmonized triads in the key of C major:**
{:.page-break-before}

| 6th string root on fret | G shape | Chord |
|:-----------------------:|:--------:|:-----:|
Expand Down Expand Up @@ -550,6 +555,7 @@ See {% include chapter-link.html slug="seventh-chords" %}
for a detailed discussion of seventh chords.

## E shapes
{:.page-break-before}

### E major shape

Expand Down Expand Up @@ -591,6 +597,7 @@ muting the 2nd string,
as `1x43x2`.

**Practice the E shape with primary chords in the key of C major:**
{:.page-break-before}

| 6th string root on fret | E shape | Chord |
|:-----------------------:|:--------:|:-----:|
Expand Down Expand Up @@ -687,6 +694,7 @@ See {% include chapter-link.html slug="seventh-chords" %}
for a detailed discussion of seventh chords.

## D shapes
{:.page-break-before}

### D major shape

Expand Down Expand Up @@ -737,6 +745,7 @@ especially when leading to another chord with a nearby bass note,
as when playing a D shape V chord leading to a G shape I chord.

**Practice the D shape with primary chords in the key of C major:**
{:.page-break-before}

| 4th string root on fret | D shape | Chord |
|:-----------------------:|:--------:|:-----:|
Expand Down Expand Up @@ -766,6 +775,7 @@ typically gripped as `xx1342`.
| 2 | minor | Em |

### D diminished shape
{:.page-break-before}

{% include figure.html
caption="D diminished shape."
Expand Down Expand Up @@ -857,6 +867,7 @@ The treble triad with its root on the first string is derived from the E CAGED s
%}

### Second-string root
{:.page-break-before}

The treble triad with its root on the second string is derived from the C and D CAGED shapes.

Expand Down Expand Up @@ -902,6 +913,7 @@ The treble triad with its root on the third string is derived from the A and G C


## Major chords on the entire fretboard
{:.page-break-before}

The following figures illustrate how CAGED shapes fit together on the fretboard,
and point the way toward playing all the chords in a given key in one position
Expand Down Expand Up @@ -938,6 +950,7 @@ see {% include chapter-link.html slug="major-harmony" %}.
%}

## Ergonomics
{:.page-break-before}

Some of the CAGED chord shapes are awkward or even impossible to play completely.
Some CAGED grips,
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